For my Dream Away solo show at 111 Minna gallery in San Francisco, I presented framed prints, 2′ x 8′ silk banners, and two short films. The combination of the banners and the short films helped to complete the visual experience for the viewer at the gallery.
I’m grateful to have moved through the process of developing my series Dream Away for the show at 111 Minna Gallery. The presentation brought with it challenges that allowed me to look at different ways to view the pieces for the show. I’m quite happy to include along with the prints a collection of silk banners and two films. The combination of these elements makes for a truly immersive experience at the gallery. Getting there of course was a balance of how to play very dominant elements while including traditional presentations.
I’m beginning to explore ideas for my upcoming show at 111 Minna that delve into alternate facets of the project. The light and floaty nature with an almost suspended yet certainly in motion bodies are naturally lending themselves to a exploring their beginnings and ends. But in turn, they also lend themselves to a twists and turns in their character. Read More
I was excited to embark on the next stage of a third film together with my friend Mark Brecke. He’s been busy doing the research and gathering a number of elements together for the past couple of years. Until recently, he had been living in Nairobi, using it a his base camp (once again) and made a number of expeditions into Somalia, specifically into Mogadishu, to capture stills and footage to help tell the story. As one might imagine, this was a difficult task with many roadblocks and hazards along the way that saw him in direct danger on more than one occasion.
The power of the personal relationship is a great way to forge and strengthen your path to future opportunities. Case in point, Ransom & Mitchell had the pleasure of showing at Patrick Kahn’s gallery Snap! in Orlando, Florida as part of the Art Attacks co-curated show this summer. Stacey made her way back to where she spent the bulk of her childhood and had an opportunity to hang out with Patrick a bit. One of the subjects they touched on was about my new nude series Dream Away. It was my impression that he would enjoy the work, and that hopefully the aesthetic would fit in with his offerings (or at least he could help point in the right direction).
Turns out my gut was correct, he responded well to the series and has asked for three pieces to be in a selection of contemporary photography showing along side All About Warhol at CU-1 Gallery in Miami, Florida. The reception is Friday, September 19th from 7pm to 10pm — please stop by if you get the chance. I’m quite pleased that so far this series has been finding open doors in the fine art world.
Excellent news came in the other day that I have been selected as a finalist for Photolucida’s Critical Mass 2014. I submitted the Dream Away series with a great edit of the available works that I’ve pulled together so far. From here, my portfolio will be reviewed by 200 industry folks as they consider the individual merits of each of the finalists. The idea behind it is to generate a load of exposure for the artists, and put them in front of a number of the people guiding the industry today. This includes art periodicals, fine art galleries, photography festivals, photo editors, book publishers, and other people of note.
I must thank my friend Rudi Dundas for pointing me to Critical Mass in the first place, as an important opportunity to get my work into the world arena. This is part of the the importance of having personal relationships with your peers. The cost of a refreshing beverage can introduce you to wonderful new ideas, and encourage you to try and open a few new doors. Huzzah for clinking glasses.
I’ve been working on a new nude series this year called Dream Away. The images are light, floaty, dreamy if you will, and capture a certain otherworldly spirit. These started off as an ethereal vision that I had floating in my mind, something that I wanted to materialize. I was also drawn to it as it seemed like a project I could mull over, shoot a few sessions, play with it a bit, shoot more — something that I could both explore different facets of, while refining a core thread of the series. Already I have a decent idea of a concrete variant that may become it’s own series to develop.
Part of the inspiration for the series was to approach them much in the same way as a pencil sketch — focusing on an interesting form, developing strong lines, and letting other elements go. The technical approach is more subtractive that additive, in that I begin with a full figure and reduce it to the core spirit. This is augmented by the use of blur to let certain elements go, while employing careful dodging of the image to continue to draw the eye in.
The results are beginning to get some notice, and I’ll be showing one next month at ModernBook Gallery in SF as part of the APA SF Curator’s Voice show. I’ve already received a positive response on the series as a whole from the guys at MB and am looking forward to them possibly handling a few more pieces in the months to come.
We have been enjoying a rush of showings at the moment, with three major ones hanging in October. As this spooky time of year approached, we were hit up to help celebrate the season with our fine art work.
Anthony Luzi at Bash Contemporary put together a great group show Hallow Be Thy Game that mixed our digital art with that of Larissa Kulik, Danny van Ryswyk, and the dolls of Stefanie Vega. In this show, we presented our largest printed work to date: a 60″ x 40″ of It Will Be Ours ornately framed — the details in the piece were stunning to see. Kaytee Papusza brought in a model to wear her fabulous dress during the opening, and Doug from SaveNature.org arrived with a collection of the insects used in the piece for everyone to handle and enjoy.
After evaluating our work and market — and some serious encouragement from friends — Stacey and I decided to put some effort into developing out an online store to sell our fine art prints. This is in part to our opening up our edition sizes and runs to include bigger, more special prints, and smaller, more affordable prints — ie. a little something for everyone. If you’re so inclined, please head on over to our store and see what’s available.
We’ve put up a decent offering for now, but shall soon include new releases of people’s favorite works and even some new styles of printing. We’ll post new pieces about once a month and will release one-off printer proofs and oops prints on occasion. Sign up on the mailing list on the site to be the first to get the lowdown.
Weekends are for websites, and this time it was grand refresh of my own creative portfolio (namely, this site — http://jasonmitchell.org ). Featured on here is the work that is mostly related to my photography and cinematography — portraits, commercial spots, printing, etc. The stuff that is the personality, composition and lighting part of my work with Stacey as Ransom & Mitchell.
I also thought this would be a good place to house my evolving fine art project Tortuous, a series of dark, contorted nudes that both beautiful and twisted — how I like to present the world. Look for it to grow and shift here, while I work find a physical venue for some in-person viewing as well.
And as I’ve been instructed by my partner in crime, I’ll keep this simple and to the point for easy digestion. Bonus by going with Squarespace — scalable so the mobile site is up as well.